Glyndebourne Festival Orchestra, Glyndebourne Festival Chorus - The Very Best of Glyndebourne on Record download free
| Genre: | Classical |
| Performer: | Glyndebourne Festival Orchestra |
| Title: | The Very Best of Glyndebourne on Record |
| Style: | Opera, Classical, Romantic, Modern, Baroque |
| Date of release: | 2009 |
| MP3 album size: | 1414 mb |
| FLAC APE album size: | 1453 mb |
| WMA album size: | 1938 mb |
| Digital formats: | VOX ASF AU AC3 ADX DMF WAV |
Tracklist Hide Credits
Le Nozze di FigaroBaritone Vocals [Count] – Roy Henderson*Baritone Vocals [Figaro] – Willy Domgraf-FaßbaenderBass Vocals [Bartolo] – Norman AllinChorus – Glyndebourne Festival ChorusComposed By – Wolfgang Amadeus MozartConductor – Fritz BuschEngineer – Arthur Clarke*, Edward FowlerLibretto By – Lorenzo da PonteOrchestra – Glyndebourne Festival OrchestraProducer – David BicknellSoprano Vocals [Countess] – Aulikki RautawaaraSoprano Vocals [Marcellina] – Constance WillisSoprano Vocals [Susanna] – Audrey MildmayTenor Vocals [Antonio] – Morgan JonesTenor Vocals [Basilio] – Heddle Nash |
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| 1-1 | Overture | 3:54 |
| 1-2 | Se a caso Madama (Act 1) (Susanna/Figaro) | 2:37 |
| 1-3 | Dunque...O cielo! Il patente del paggio (Act 2: Finale) (All) | 5:30 |
| 1-4 | Sull'aria...Che soave zeffiretto (Act 3) (Susanna/Countess) | 3:00 |
| 1-5 | Ricevete. o padronicina (Act 3) (Chorus) | 1:25 |
Cosi fan tutteBaritone Vocals [Don Alfonso] – John BrownleeBaritone Vocals [Guglielmo] – Willy Domgraf-FaßbaenderChorus – Glyndebourne Festival ChorusComposed By – Wolfgang Amadeus MozartConductor – Fritz BuschEngineer – Arthur Clarke*Libretto By – Lorenzo da PonteOrchestra – Glyndebourne Festival OrchestraProducer – David BicknellSoprano Vocals [Despina] – Irene EisingerSoprano Vocals [Dorabella] – Luise HelletsgruberSoprano Vocals [Fiordiligi] – Ina SouezTenor Vocals [Ferrando] – Heddle Nash |
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| 1-6 | Una bella serenata (Act 1) (Ferrando/Gugliemo/Don Alfonso) | 2:16 |
| 1-7 | Ah guarda, sorella (Act 1) (Fiordiligi/Dorabella) | 5:02 |
| 1-8 | Una donna a quindici anni (Act 2) (Despina) | 3:27 |
| 1-9 | Donne mio, la fate (Act 2) (Gugliemo) | 2:53 |
| 1-10 | Fra gli amplessi (Act 2) (Fiordiligi/Ferrando) | 6:01 |
Don GiovanniBaritone Vocals [Don Giovanni)] – John BrownleeBaritone Vocals [Leporello] – Salvatore BaccaloniBaritone Vocals [Masetto] – Roy Henderson*Bass Vocals [Commendatore] – David Franklin*Chorus – Glyndebourne Festival ChorusComposed By – Wolfgang Amadeus MozartConductor – Fritz BuschEngineer – Arthur Clarke*Libretto By – Lorenzo da PonteOrchestra – Glyndebourne Festival OrchestraProducer – David BicknellSoprano Vocals [Donna Anna] – Ina SouezSoprano Vocals [Donna Elvira] – Luise HelletsgruberSoprano Vocals [Zerlina] – Audrey MildmayTenor Vocals [Don Ottavio] – Koloman Von Pátaky |
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| 1-11 | Madamina, il catalogo e questo... (Act 1) (Leporello) | 5:52 |
| 1-12 | Finch'han dal vino (Act 1) (Don Giovanni) | 1:23 |
| 1-13 | Vedral, carino (Act 2) (Zerlina) | 3:56 |
| 1-14 | O statua gentilissima (Act 2) (Leporello/Don Giovanni/Commendatore) | 3:39 |
| 1-15 | Che grido è questo mai? (Act 2) (Don Giovanni/Leporello/Commendatore/Chorus) | 8:57 |
| 1-16 | Ah, dov'è il perfido? (Epilogue to Act 2) (Don Elvira/Zerlina/Don Ottavio/Masetto/Donna Anna/Leporello) | 6:02 |
The Beggar's OperaBaritone Vocals [Peachum] – Roy Henderson*Chorus – Glyndebourne Festival ChorusComposed By – Johann Christoph Pepusch, John GayConductor – Michael MudieEngineer – Arthur Clarke*Orchestra – Glyndebourne Festival OrchestraProducer – Walter LeggeSoprano Vocals [Lucy] – Linda Gray*Soprano Vocals [Mrs Peachum] – Constance WillisSoprano Vocals [Polly Peachum] – Audrey MildmayVocals [Filch] – Bruce FleggVocals [Macheath] – Michael Redgrave |
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| 1-17 | O Polly, you might have toyed and kissed (Mrs Peachum/Polly/Peachum) | 1:55 |
| 1-18 | My heart was so free (Macheath) | 0:38 |
| 1-19 | Were I laid on Greenland's coast (Polly/Macheath) | 1:17 |
| 1-20 | How happy I could be with either (Macheath) | 0:43 |
| 1-21 | I'm bubbled, I'm troubled (Lucy/Polly) | 0:41 |
| 1-22 | Cease your funning (Polly) | 1:49 |
| 1-23 | The modes of the court (Macheath/Filch/Chorus) | 1:00 |
| 1-24 | Would I might be hanged (Mrs Peachum/Polly/Macheath) | 2:10 |
The Rape of LucretiaCo-producer – David Bicknell, Lawrance CollingwoodComposed By – Benjamin BrittenConductor – Reginald GoodallEngineer – Douglas LarterLibretto By – Ronald Duncan*Mezzo-soprano Vocals [Bianca] – Flora NielsonMezzo-soprano Vocals [Lucretia] – Nancy Evans*Orchestra – The English Opera Group Chamber Orchestra*Piano – Reginald GoodallSoprano Vocals [Female Chorus] – Joan CrossSupervised By – Benjamin BrittenTenor Vocals [Male Chorus] – Peter Pears |
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| 2-1 | Tarquinius does not wait (Act 1) (Male Chorus) | 2:51 |
| 2-2 | She sleeps as a rose (Act 2) (Female Chorus) | 3:01 |
| 2-3 | Flowers bring to every year (Act 2) (Lucretia/Bianca) | 3:20 |
MacbethBass Vocals [Medico] – Ernest FrankComposed By – Giuseppe VerdiConductor – Sir Thomas BeechamEngineer – Arthur Clarke*Libretto By – Francesco Maria PiaveOrchestra – The Royal Philharmonic OrchestraProducer – Lawrance CollingwoodSoprano Vocals [Dama] – Vera TerrySoprano Vocals [Lady Macbeth] – Margherita Grandi |
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| 2-4 | Una macchia è qui tuttora! (Act4) (Lady Macbeth/Dama/Medico) | 7:39 |
Cosi fan tutteBaritone Vocals [Don Alfonso] – Mario BorrielloBaritone Vocals [Guglielmo] – Erich KunzComposed By – Wolfgang Amadeus MozartConductor – Fritz BuschEngineer – Douglas LarterLibretto By – Lorenzo da PonteOrchestra – Glyndebourne Festival OrchestraProducer – Lawrance CollingwoodSoprano Vocals [Dorabella] – Blanche ThebomSoprano Vocals [Fiordiligi] – Sena Jurinac |
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| 2-5 | Soave sia il vento (Act 1) (Fiordiligi/Dorabella/Don Alfonso) | 3:05 |
| 2-6 | Penderò quel brunettino (Act 2) (Fiordiligi/Dorabella) | 3:06 |
| 2-7 | Il core ve dono (Act 2) (Guglielmo/Dorabella) | 4:09 |
IdomeneoChorus – Glyndebourne Festival ChorusComposed By – Wolfgang Amadeus MozartConductor – Fritz BuschEngineer – Douglas LarterLibretto By – Abbate Giambattista VarescoOrchestra – Glyndebourne Festival OrchestraProducer – David BicknellSoprano Vocals [Elettra] – Dorothy MacNeilSoprano Vocals [Ilia] – Sena JurinacTenor Vocals [Idomeneo] – Richard Lewis* |
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| 2-8 | Vedrommi intorno (Act 1) (Idomeneo) | 3:40 |
| 2-9 | Placido è il mar (Act 2) (Elletra/Chorus) | 4:41 |
| 2-10 | Zeffiretti lusinghieri (Act 3) (Ilia) | 4:48 |
La CenerentolaBaritone Vocals [Dandini] – Sesto BruscantiniBaritone Vocals [Don Magnifico] – Ian Wallace*Bass Vocals [Alidoro] – Hervey AlanChorus – Glyndebourne Festival ChorusComposed By – Gioacchino RossiniConductor – Vittorio GuiEngineer – Douglas Larter, Robert BeckettLibretto By – Jacopo FerrettiMezzo-soprano Vocals [Tisbe] – Fernanda CadoniOrchestra – Glyndebourne Festival OrchestraProducer – David Bicknell, Lawrance CollingwoodSoprano Vocals [Angelina - La Cenerentola] – Marina De GabarainSoprano Vocals [Clorinda] – Alda NoniTenor Vocals [Don Ramiro] – Juan Oncina |
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| 2-11 | Miei rampolli, miei rampolli femminini (Act 1) (Don Magnifico) | 4:50 |
| 2-12 | Nel volto estatico (Act 1) (Don Magnifico/Angelina/Dandini/Don Ramiro/Alidoro) | 5:06 |
| 2-13 | Nacqui all'affanno (Act 2: Finale) (Don Magnifico/Angelina/Dandini/Don Ramiro/Alidoro/Tisbe/Chorus) | 6:26 |
ArlecchinoBaritone Vocals [Arlecchino] – Kurt GesterComposed By – Ferruccio BusoniConductor – John PritchardEngineer – Francis DillnuttLibretto By – Ferruccio BusoniOrchestra – Glyndebourne Festival OrchestraProducer – Lawrance CollingwoodSoprano Vocals [Colombina] – Elaine MalbinTenor Vocals [Leandro] – Murray Dickie |
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| 2-14 | Mit dem Schwerte, mit der Laute (Leandro/Colombina/Arlecchino) | 9:09 |
The Soldier's TaleBassoon – Gwydion BrookeClarinet – Jack BrymerComposed By – Igor StravinskyConductor – John PritchardCornet – Richard WaltonDouble Bass – Edmond ChestermanEngineer – Harold DavidsonPercussion – Stephen Whittaker*Producer – Lawrance CollingwoodText By – Charles-Ferdinand RamuzTrombone – Sidney LangstonViolin – Arthur LeavinsVoice Actor [The Devil] – Robert HelpmanVoice Actor [The Narrator] – Anthony NichollsVoice Actor [The Soldier] – Terence Longdon |
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| 2-15 | Tango | 1:46 |
| 2-16 | Waltz | 1:38 |
| 2-17 | Ragtime | 2:04 |
| 2-18 | The Devil's Dance | 1:21 |
| 2-19 | The Little Choral | 0:28 |
| 2-20 | The Devil's Song | 0:40 |
| 2-21 | The Great Choral | 3:42 |
| 2-22 | Triumphal March of the Devil | 2:22 |
Le nozze di FigaroBaritone Vocals [Bartolo] – Ian Wallace*Baritone Vocals [Count] – Franco CalabreseBaritone Vocals [Figaro] – Sesto BruscantiniComposed By – Wolfgang Amadeus MozartConductor – Vittorio GuiContralto Vocals [Marcellina] – Monica SinclairEngineer – Christopher Parker, Harold DavidsonLibretto By – Lorenzo da PonteOrchestra – Glyndebourne Festival OrchestraProducer – Lawrance CollingwoodSoprano Vocals [Barbarina] – Jeanette SinclairSoprano Vocals [Countess] – Sena JurinacSoprano Vocals [Susanna] – Graziella SciuttiTenor Vocals [Antonio] – Gwyn GriffithsTenor Vocals [Basilio] – Hugues CuénodTenor Vocals [Don Curzio] – Daniel McCoshan |
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| 3-1 | Bravo, signor padrone!...Se vuol ballare (Act 1) (Figaro) | 3:20 |
| 3-2 | E Susanna non vien!...Dove sono (Countess) | 6:58 |
| 3-3 | In quegi'anni (Act 4) (Basilio) | 3:58 |
| 3-4 | Pace,pace mio dolce tesoro (Act 4: Finale) (All) | 6:44 |
IdomeneoComposed By – Wolfgang Amadeus MozartConductor – John PritchardEngineer – Douglas Larter, Harold DavidsonLibretto By – Abbate Giambattista VarescoOrchestra – Glyndebourne Festival OrchestraProducer – Lawrance CollingwoodSoprano Vocals [Elettra] – Lucille UdovickSoprano Vocals [Ilia] – Sena JurinacTenor Vocals [Idamante] – Leopold SimoneauTenor Vocals [Idomeneo] – Richard Lewis* |
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| 3-5 | Ah perchè pria...Spiegarti non poss'io (Act 3) (Ilia/Idamante) | 4:36 |
| 3-6 | Andrò ramingo (Act 3) (Idamante/Ilia/Idomeneo/Elettra) | 5:34 |
| 3-7 | Oh smania!...D'Oreste, d'Alace (Act 3) (Elettra) | 2:54 |
Le Comte OryComposed By – Gioacchino RossiniConductor – Vittorio GuiEngineer – Harold DavidsonLibretto By – Charles-Gaspard Delestre-Poirson, Eugène ScribeMezzo-soprano Vocals [Bianca] – Flora NielsonMezzo-soprano Vocals [Isoller] – Cora Canne MeijerOrchestra – Glyndebourne Festival OrchestraProducer – Lawrance CollingwoodSoprano Vocals [La Contesse Adèle] – Sari BarabasTenor Vocals [Le Comt Ory] – Juan Oncina |
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| 3-8 | O bon ermite (Act 1) (Isolier/Le Comte Ory/La Contesse Adèle) | 3:32 |
| 3-9 | À la faveur (Act 2) (Isolier/Le Comte Ory/La Contesse Adèle) | 9:51 |
Il barbiere di SevigliaBaritone Vocals [An Official] – John Rhys EvansBaritone Vocals [Bartolo] – Ian Wallace*Baritone Vocals [Figaro] – Sesto BruscantiniBass Vocals [Basilio] – Carlo CavaChorus – Glyndebourne Festival ChorusComposed By – Gioacchino RossiniConductor – Vittorio GuiEngineer – Christopher ParkerLibretto By – Cesare SterbiniOrchestra – Glyndebourne Festival OrchestraProducer – Ronald Kinloch Anderson, Victor OlofSoprano Vocals [Berta] – Laura SartiSoprano Vocals [Rosina] – Victoria De Los AngelesTenor Vocals [Count] – Luigi Alva |
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| 3-10 | La ran la le ra...Largo al factotum (Act 1) (Figaro) | 4:50 |
| 3-11 | La calunnia è un venticello (act 1) (Basilio) | 4:35 |
| 3-12 | Fermi tutti. Nessun si muova (Act 1: Finale) (All) | 10:04 |
| 3-13 | Ah, quai colpo inespettato!...Zitti, zitti, piano, piano (Act 2) (Rosina/Count/Figaro) | 6:05 |
L'incoronazione di PoppeaComposed By – Claudio MonteverdiConductor – John PritchardEngineer – Robert GoochLibretto By – Giovanni Francesco BusenelloOrchestra – Glyndebourne Festival OrchestraProducer – Peter Andry, Ronald Kinloch AndersonSoprano Vocals [Poppea] – Magda LaszloTenor Vocals [Nerone] – Richard Lewis* |
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| 3-14 | Pur ti miro, pur ti stringo (Act 3: Finale) (Poppea/Nerone) | 4:19 |
Die Entführung aus dem SerailBass Vocals [Osmin] – Noel ManginComposed By – Wolfgang Amadeus MozartConductor – John PritchardLibretto By – Christoph Friedrich Bretzner, Gottlieb Stephanie Der JüngereOrchestra – The London Philharmonic OrchestraProducer – John BoydenSoprano Vocals [Constanze] – Margaret PriceTenor Vocals [Belmonte] – Ryland Davies |
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| 4-1 | Ach ich liebte, war so glücklich (Act 1) (Constanze) | 5:42 |
| 4-2 | O! Wie will ich triumphieren (Act 3) (Osmin) | 3:30 |
| 4-3 | Welch ein Geschick (Act 3) (Belmonte/Osmin) | 8:03 |
Don GiovanniBaritone Vocals [Don Giovanni] – Thomas AllenBaritone Vocals [Leporello] – Richard Van AllanBaritone Vocals [Masetto] – John RawnsleyComposed By – Wolfgang Amadeus MozartConductor – Bernard HaitinkEngineer – Stuart ElthamLibretto By – Lorenzo da PonteOrchestra – The London Philharmonic OrchestraProducer – John FraserSoprano Vocals [Donna Anna] – Carol VanessSoprano Vocals [Donna Elvira] – Maria EwingSoprano Vocals [Zerlina] – Elizabeth GaleTenor Vocals [Don Ottavio] – Keith Lewis |
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| 4-4 | Là ci darem la mano (Act 1) (Don Giovanni/Zelina) | 3:42 |
| 4-5 | Or sai chi l'onore (Act 1) (Donna Anna) | 2:55 |
| 4-6 | Dalla sua pace (Act 1) (Don Ottavio) | 4:35 |
| 4-7 | Riposate, vezzose ragazze (Act 1: Finale) (All) | 9:16 |
| 4-8 | Deh vieni alla finestra (Act 2) (Don Giovanni) | 2:07 |
Cosi fan tutteBaritone Vocals [Don Alfonso] – Claudio DesderiBaritone Vocals [Guglielmo] – Dale DuesingComposed By – Wolfgang Amadeus MozartConductor – Bernard HaitinkEngineer – Stuart ElthamLibretto By – Lorenzo da PonteMezzo-soprano Vocals [Dorabella] – Delores ZieglerOrchestra – The London Philharmonic OrchestraProducer – John FraserSoprano Vocals [Despina] – Lilian WatsonSoprano Vocals [Fiordiligi] – Carol VanessTenor Vocals [Ferrando] – John Aler |
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| 4-9 | Smanie implacabili (act 1) (Dorabella) | 1:52 |
| 4-10 | Come scoglio immoto resta (Act 1) (Fiordiligi) | 4:47 |
| 4-11 | Non siete ritrosi, occhietti vezzosi (Act 1) (Guglielmo) | 1:37 |
| 4-12 | Un'aura amorosa (Act 1) (Ferrando) | 4:46 |
| 4-13 | Dammi un bacio, o mio tesoro (Act 1: Finale) (All) | 3:27 |
Le nozze di FigaroBaritone Vocals [Count] – Richard StillwellBaritone Vocals [Figaro] – Claudio DesderiComposed By – Wolfgang Amadeus MozartConductor – Bernard HaitinkEngineer – Stuart ElthamLibretto By – Lorenzo da PonteOrchestra – The London Philharmonic OrchestraProducer – John FraserSoprano Vocals [Barbarina] – Anne DawsonSoprano Vocals [Cherubino] – Faith EshamSoprano Vocals [Countess] – Felicity LottSoprano Vocals [Susanna] – Gianna Rolandi |
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| 4-14 | Non più andrai (Act 1) (Figaro) | 3:42 |
| 4-15 | Porgi, amor (Act 2) (Countess) | 4:37 |
| 4-16 | Voi, che sapete (Act 2) (Cherubino) | 2:57 |
| 4-17 | Vedro, mentr'io sospiro (Act 3) (Count) | 3:34 |
| 4-18 | L'ho perduta, me meschina! (Act 4) (Barbarina) | 1:55 |
| 4-19 | Deh vieni, non tardar (Act 1) (Susanna) | 3:56 |
Porgy and BessBass Vocals [Porgy] – Willard WhiteChorus – Glyndebourne Festival ChorusChorus Master – Craig RutenbergCo-producer – Tony Harrison*Composed By – George GershwinConductor – Sir Simon RattleEngineer – Mark VigarsMezzo-soprano Vocals [Maria] – Marietta SimpsonMezzo-soprano Vocals [Serena] – Cynthia ClareyOrchestra – The London Philharmonic OrchestraProducer – David R. MurraySoprano Vocals [Bess] – Cynthia HaymonSoprano Vocals [Clara] – Harolyn BlackwellSoprano Vocals [Lily] – Maureen BrathwaiteTenor Vocals [Mingo] – Barrington ColemanTenor Vocals [Sporting Life] – Damon Evans |
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| 5-1 | Summertime (Act 1, Scene 1) (Clara/Chorus) | 3:21 |
| 5-2 | Bess, you is my woman now (Act 2, Scene 1) (Porgy/Bess) | 5:35 |
| 5-3 | Oh, I can't sit down (Act 2, Scene 1) (Maria/Bess/Porgy/Chorus) | 4:17 |
| 5-4 | It ain't necessarily so (Act 2, Scene 2) (Sporting Life/Chorus) | 3:47 |
| 5-5 | Bess is gone (Act 3) (Lily/Porgy/Serena/Mingo/Maria/Chorus) | 3:26 |
Die lustige WitweBaritone Vocals [Count Danilo Danilowitsch] – Thomas HampsonChorus – Glyndebourne Chorus*Composed By – Franz LehárConductor – Franz Welser-MöstEngineer – John KurlanderOrchestra – The London Philharmonic OrchestraProducer – Simon WoodsSoprano Vocals [Hanna Glawari] – Felicity Lott |
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| 5-6 | O Vaterland, du machst bei Tag...Da geh' ich zu Maxim (Act 1) (Danilo) | 2:27 |
| 5-7 | Es lebt' eine Vilja... (Act 2) (Hanna/Chorus) | 6:20 |
| 5-8 | Lippen schweigen (Act 3) (Danilo/Hanna) | 3:35 |
Figures in the GardenBassoon – Andrew Watts*, Frances EustaceClarinet – Nicholas Bucknall, Timothy LinesComposed By – Jonathan DoveConductor – Jonathan DoveEngineer – Mike ClementsHorn – Robert Maskell, Roger MontgomeryOboe – Catherine Latham, Paul Goodwin*Producer – Mike Purton |
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| 5-9 | Dancing in the Dark | 2:14 |
| 5-10 | Susanna in the Rain | 3:47 |
| 5-11 | A Conversation | 1:19 |
| 5-12 | Barbarina Alone | 2:18 |
| 5-13 | The Countess Interrupts a Quarrel | 2:36 |
| 5-14 | Voices in the Garden | 1:39 |
| 5-15 | Nocturne: Figaro and Susanna | 3:15 |
EMI Centenary Gala at Glyndbourne, 1997Conductor – Andrew Davis, Franz Welser-MöstEngineer – Simon RhodesOrchestra – The London Philharmonic OrchestraProducer – Simon Woods |
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| 5-16 | Song to the Moon - Rusalka, Act 1Composed By – Antonín DvořákSoprano Vocals – Amanda Roocroft |
5:49 |
| 5-17 | Ol' Man River (Show Boat, Act 1)Bass Vocals – Willard WhiteComposed By – Jerome Kern |
3:30 |
| 5-18 | È sogno? O realtà? (Falstaff, Act 2)Baritone Vocals – Thomas HampsonComposed By – Giuseppe Verdi |
4:55 |
| 5-19 | Sul fil d'un soffio etsio (Falstaff, Act 3)Composed By – Giuseppe VerdiSoprano Vocals – Alison Hagley |
3:49 |
| 5-20 | Where'er yo walk (Semele, Act 2)Composed By – Georg Friedrich HändelTenor Vocals – John Mark Ainsley |
4:26 |
| 5-21 | Glitter and be Gay (Candide, Act 1)Composed By – Leonard BernsteinSoprano Vocals – Natalie Dessay |
5:46 |
Companies, etc.
- Recorded At – Glyndebourne Festival Opera House
- Recorded At – Abbey Road Studios
- Recorded At – Royal Festival Hall
- Recorded At – Henry Wood Hall, London
- Recorded At – Kingsway Hall
Notes
This compilation ℗ & © 2009 Warner Classics, Warner Music UK Ltd.Digital remastering ℗ as shown
Recording Dates and Venues (all No1 Studio Abbey Raod, London unless stated):
CD1 1935-1940
Figaro 24&28 VI 1935 (1-2); 6 VI 1934 (3-5) The Theatre Glyndebourne ℗ 2009 & 1994
Cosi 25-28 VI 1935 The Theatre Glyndebourne ℗ 1991
Giovanni 29 VI - 5 VII 1936 The Theatre Glyndebourne ℗ 1988
Beggar's Opera 11,12,15 IV 1940 ℗ 1994 & 2009
CD2 1947-1955
Rape of Lucretia 16-19 VII & 19 X 1947 ℗ 1993
Macbeth 16 I 1948 ℗ 2000
Cosi 14-15 VII 1950 The Theatre Glyndebourne ℗ 1994
Idomeneo 2-3 VII 1951 ℗ 1980/1994 & 2009
Cenerentola 17-21 XI 1953 (11-12); 15 II 1954 ℗ 1992
Arlecchino 27 VII & 24 IX 1954 ℗ 1994
Soldier's Tale 12,13,25&28 IV & 25 V 1955 ℗ 2009
CD3 1955-1963
Figaro 4-9 & 11-12 VII 1955 ℗ 2009
Idomeneo 5&30 VII 1956 Kingsway Hall & 7 VII & 4,6,813,26,27 VIII 1956 ℗ 2000
Comte Ory 28-31 VIII & 1,2,5 IX 1956 ℗ 1992
Barber of Seville 4-7 & 9-10 IX 1962 ℗ 1963/2002
Poppea VII & VIII 1963 ℗ 1964/2000
CD4 1963-1987
Flight 22-24 VII 1972 The Organ Room, Glyndebourne ℗ 1972/1998
Giovanni 3-12 I 1984 ℗ 1984
Cosi 16-27 II 1986 ℗ 1987
Figaro 17-26 II 1987 ℗ 1988
CD5 1988-1997
Porgy and Bess 8-19 II 1988 ℗ 1989
Merry Widow 18,20,22 VII 1993 Royal Festival Hall, London ℗ 1994
Figures in the Garden 22 XI 1991 Henry Wood Hall, London ℗ 1992
EMI Centenary Gala at Glyndebourne, 1997 - Recorded Live 27 IV 1997, The Theatre Glyndebourne ℗ 1997
The Double Bass player on the Soldiers Tale excerpt is credited in booklet as Edmund Chesterton but should be Edmund Chesterman
Barcode and Other Identifiers
- Barcode (Text): 5 099926 421827
- Label Code: LC 06646
- SPARS Code: ADD/DDD








